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Schrijftip 24: Leren van E.L. James (deel 2)

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Vorige maand doken we in de Fifty Shades boeken van E.L. James, om daar waardevolle lessen over het schrijven van je boek uit te halen. Deze kun je hier teruglezen. 

In dit tweede deel nemen we je nog eens mee naar twee nieuwe tips, die je goed zal kunnen gebruiken!

4. Be accurate. 

There is such a thing as creative license, but E.L. James’s should be revoked. Like driving, creative license is not a right, but a privilege, and should be used responsibly and with the utmost care. For example, the author creatively personifies Ana’s internal struggles over various situations as two polar-opposite people living in her head: a sex-loving, open-minded, free-spirited, back-flipping “Inner Goddess” and a careful, cautious, judgmental worrier called her “Subconscious.” Cute, but what Alanis Morissette did to the word “ironic,” E.L. does to the word “subconscious.”
To quote Inigo Montoya from The Princess Bride: “You keep using that word. I do not think it means what you think it means.” If it were truly Ana’s subconscious guiding her, Ana would not be aware of her — that’s what the whole “sub” part of that word means: not conscious!
Similarly, there are a ton of British anachronisms in a story about American characters living in American cities with nary a funny Mancunian sidekick to rub off on them. James even includes an apology at the end of the third book for including a scene so preposterous that it defies all logic and law — that’s when you know you’ve abused your creative license.

5. Don’t worry about the rules of writing.

E.L. James didn’t, and look where that got her: laughing all the way to the bank! The most important thing is just sitting down and actually writing. As long as you do that — ideally with passion and conviction — then there’s a chance (albeit small) that you can ignore rules 1 through 4 above and still be a success.


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